JMDMT #1024 Microfossils of Cyanobacteria in Carbonaceous Meteorites
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The James M. DuPont Meteorite Collection - are commonly described as gray silicates with some metallic grains mixed in. Of particular importance are the stony meteorites collected in Antarctica from the ice and they have been used for radioactive dating, giving us perhaps our best indication of the age of the solar system. A different group of meteorites is the carbonaceous meteorites, dark rocks containing a significant amount of carbon. The vast majority of meteorites are thought to come from the asteroid belt, but a number have been identified as coming from either the Moon or Mars. The meteorites are rich sources of information about the solar system. Two of the most famous meteorites, the Allende meteorite and the Murchison meteorite, have been studied intensively for clues about solar system history. Antarctic meteorites
JMDMT #1023 Microfossils of Cyanobacteria in Carbonaceous Meteorites
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The James M. DuPont Meteorite Collection - The differentiated meteorites, including the irons and stony-irons, appear to be fragments of larger bodies for which separation according to density took place while they were in the molten state after formation. As a larger body cools, the more dense materials sink toward the center. This gives an important role to the undifferentiated stony meteorites, since they can be presumed to be from smaller bodies which cooled and solidified too quickly for the differentiation to take place. These primitive meteorites are then our best picture of the early history of the solar system since they have had fewer influences for change over the age of the solar system. The stony meteorites are by far the most numerous of the meteorites. They
bana
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Sangayana on 12-Nov-2008 on prince "Siddhartha" at the age of 16 and his picture at a museum in France.
Yilmaz Güney
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Tags: Dersim Devrim Diyarbakir Güney Halk Hozat Kirmancki Kurdistan Kurmanci kurtulus Kürt Mardin Pkk Türkiye Yilmaz Yol zaza
Müzik: Kürtce Ezgiler - Dêrsim EzgileriYılmaz Güney, (April 1, 1937 — September 9, 1984) was a Turkish film director, scenarist, novelist and actor of Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd".Yilmaz Guney was born in 1937 in the Yenice village of the southern city of Adana. His father is from Varto Turkey and his mother is from Siverek, Turkey. Both are kurds. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King")or (pasha nashrin) in Kurdish. After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor.Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the people of Turkey: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971).After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars.Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten."The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera.After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government.Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics.
Sentenza_FollowMe_221108live_NewAgeSonica.mpg
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22112008NEW AGE SonicaRoncade Sentenza -intro -Follow Me
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