La Libertad
- Length: 4:1
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- Author: oskelandia
Hecho con Oskefotos en su mayoria de Michael Salgado, seleccionado por Cande chu-chó
Cash Calls Hell (1966) [Trailer]
- Length: 2:28
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- Author: WorldCinemateque
Tags: Calls Cash Cinema Eiga Gosha Hell Hideo Nakadai Noir Shochiku Tatsuya
Directed by: Hideo GoshaContry: JapanThe protagonist of Cash Calls Hell, Oida (Tatsuya Nakadai) is serving time in prison after he killed a man and his daughter in a car accident. There he meets Sengoku who, after seeing Oida deftly fend off a knife attacker in the prison yard, knows he's the man for a job he has in mind. Once he leaves prison, he is to contact Utako, a hostess at a gentleman's club in Akiba. Oida knows nothing of what Sengoku wants or the history between Sengoku and Utako. Asking questions is forbidden he is told. The only answer from Oida Sengoku wants to hear is whether or not he will joins his path. He offers Oida a life again as Oida feels he has lost everything and has nothing left to live for on the outside.Upon release Oida tracks down Utako and is told by her that this 15 million yen job will be split three ways, 5 million each and then they will lead very happy lives. It's a beguiling premise for Oida. He's a man seemingly lost inside, haunted by the two people he killed. This contract is a chance at redemption for him. He is given the names of three men he is to kill. He knows not why Sengoku wants them dead, all he has to decide is if he wants to take the job. Oida accepts the job and makes his way towards the first man, Motoki at the docks. Oida's plan to off the drunken Motoki at night on the pier is complicated by a major development in the story. Two vicious killers from Hong Kong arrive on the scene and Otoki quickly learns that they have their own plan to take out these men and reclaim drug money ripped off from them two years prior.From this point on Cash Calls Hell really transforms into a visceral, fast paced adventure as well as a touching tale of redemption. This latter aspect bolstered by two notions. Firstly there is the wonderful performance by Tatsuya Nakadai as Oida. Nakadai infuses his character with such withered, weary, desolate pathos, anguish etched over his face, a wounded lupine gaze in his eyes. His performance coupled with director Hideo Gosha's expressive direction and visual flare lift Cash Calls Hell above the standard gangster/crime narrative. The second notion is the further plot complication in his having to care for Motoki's little girl. This lends Cash Calls hell a tender core and a strong humanistic streak amidst the more gruff and brutal exterior. The relationship he builds with the girl is his true redemption upon end.As mentioned Gosha's direction is very expressive and full of flare and there's a luminous sheen to the picture through the cinematography of Chu Sakai. {his only film credit funnily enough} The film is populated with protracted camera angles, often keeping a distance in the more menacing scenes. It often starts out peering through objects or pulling in tight on one before the characters enter the frame in the background. Gosha makes effective use of the industrial setting for many of the fight scenes in this respect. The flare here comes through the camera work in these fight scenes with its objective distance, overhead views and skewed angles. Elsewhere visually, the flare comes through the costuming, music and characterizations. Cash Calls Hell has a distinctly 1960's cinematic feel in these departments. The score is quirky, jazzy, pulsating and rhythmic, matching the brevity of the action. Gosha swiftly works through plot points, character arcs and locations with the precision and style of a samurai master, something not at all alien to him considering his other films.Cash Calls Hell personally appeals to me for its setting, somewhere I am familiar with from my own upbringing, there's a sense of companionship in that respect. Moreover this tale of redemption of the self, sense of place and a peace of mind amidst the chaos and carnage in Oida's world strikes a chord. It's a fun, stylish picture with a lot of heart, vim and vigor. Its vibrant, economical and satisfies one's need for entertainment devoid of clichéd sentiment. It's got a lean, existential bent to it, an all or nothing last chance saloon bravado that when applied to its own Eastern philosophy and setting produces something that blends sensibilities very well. This blend perhaps mirrors my own exotic mix of influences, styles, sounds, sights, rhythms and psychology along my own path. Cash Calls Hell is no kitchen sink approach though, it's a steady path, just one that happens to be populated with a distinct and even cool, unwavering outcome. It's an assured film by Gosha. Most of all it appeals personally because there just may be a little Oida in me echoing this desire for a kind of redemption that dredges the individual from the regrets, trappings and pitfalls of existence. In this respect, for me Cash Calls Hell acts as an anchor that salvages being and drives one on, determined and steadfast to the very end of the path.
Three 6 Mafia,La Chat - Baby Mama(High Quality)(Lyrics)
- Length: 4:29
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- Author: Three6MafiaPL
Tags: Baby Chat Dirty Dj High hip-hop JuiceJ La Lyrics Mafia Mama Pa Paul Project Quality rap Side South Three Three6Mafia
[Chorus: Juicy J + LaChat][Juicy J] It's my baby mama (yeanknow) I want child supportShe get boyfriend checks, but I stay in courtIt's my baby mama (yeanknow) she be ridin' CadyAnd she always lookin' for sugar daddies[LaChat] It's my baby daddy (yeanknow) he be always brokeAnd he aint no good nothin', but a jokeIt's my baby daddy (yeanknow) he just love to have itHe be cheatin' on me that's why I can't stand em'[Verse 1: Juicy J]Man this freak has got me stressin' in the court I must confessin'Playas try to get that checkin' hoopa hickeys on yo' neckin'In that jail I can't be stayin' and my g's you can't be cakin'Child support can burn like torch when you get behind yo' paymentHurr they go you send em' letters then they wanna come and get chaProbably shoulda used a Jimmy probably shoulda neva' met herWhy you wanna try and impress me?Always lyin' tryna' caress me[LaChat]All these so-called ballas want me boy I'm styled you know I'm sexyI'm LaChat you see I'm swole got you waitin' at a toleBetta' come break me off a fee keep yo' girl on yo' bankroleSee me switchin' blowin' out kisses dudes don't know what they be missin'I'm the type of girl you need keep some cookin' in the kitchenBake yo' biscuits up from scratch get chu' sprung off my catBut chu betta take care yo' kids Juvenile Court is where it's atWhere it's at?Yeanknow? Cheese is missin' yean showAnd that freak you shackin' wit' she too nice I'm mean though[CHORUS][Verse 2: DJ Paul]It's DJ P and brothas be out we just tryin' to be dawgsBut it's ok aint nann hoe gon' stop the way that we walkWe kickin' dis off in them dose' and when it's on they gon' runAnd please believe when we come we gon' come like a nut cumDown and dirty in these streets, rough and rugged on these freaksRidin' Cady Automatic man we got to keep that heatKeep that heat for them streets cuz' man these streets be watchin' meMemphis, Tenn. kick the chains and playas gotta kick the creaseThe Vision 2 Juvenile Court is where they had yo' boyMonthly payments I gotta pay, but I keep comin' shortNow that I'm payin child support and these courts got me runnin' maynSpendin' nights with these otha freaks house and all my dawgs maynWarrents for yo' boy arrest got me sweatin' from the stressGettin' drunk and high all night bout' to drive me to that whiteMayn if these boys want me they gon' really have to find meMessin' off with these scally wag hoes they so grimey[CHORUS][Verse 3: LaChat]Why you playin?Boy yo' baby need some shoes, boy yo' baby need some clothesNeed to try and pay yo' fees, why you out hurr playin' these hoes?Aint no more for me and you, but this what they gotta doWith the seed we have concieved don't you know he's part of you?I don't wanna hurr yo' mess talk to me bout' givin' checksPut a judge up in my business what I want is what I getShoulda knownd it from the jump all that talk was just a frontNow you payin' for that lyin' see yo' ass in court next month[Juicy J]Pay you cheese I'll give you quarters I'll just wait for court to orderMexico is where you'll find me somewhere round' the fuckin' borderHangin' with the finest women, walkin' wit' a gansta limpin'Drinkin' on a case of DP, goody green you know we wit' itI done hustled worth a job and broke some back there wasn't no stoppin'You dun did the clubbin' hoppin' and them pills you kept on poppin'Now I see why you be freakin' now I know why you be geekin'If you wanna give me reason catch me in that playa season[CHORUS]
youtube - t-mobile - vianoce ju-chu-chĂş.avi
- Length: 0:31
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- Author: LepiacaPaska
Tags: - ju-chu-chĂş t-mobile vianoce youtube
t-mobile reklama vianoce
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