faustus Videos

DARKHAUS THEATRE™ 2009 INTRODUCTION

Length: 1:18
Rating: 5.00 (1 ratings)
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Author: TheDARKHAUS

Tags: DARKHAUS DETROIT

Hasstla Recordz - Dunkle Gedanken "Dark Thoughts"

Length: 4:22
Rating: 5.00 (1 ratings)
Views: 1
Author: UndergroundDevilShyt

Tags: Blokkmonsta Dr. Faustus German Hasstla Hirntot Horrorcore Records

Hasstla Recordz (German Horrorcore)

Benno Hansen / Adami Laul / Adam's Song

Length: 3:20
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Author: EstlanderOne

Tags: 1920's 1930's Adam's Benno eesti estland estonia Hansen operetta Song

Benno Hansen: Adami Laul operetist "Linnukaupleja" / Adam's Song from the operetta "Der Vogelhändler". Benno (Bernhard) Hansen: Date of Birth: 21. March 1891 Tallinn, Estonia. Date of Death: 26. April 1952 Tallinn, Estonia. Benno Hansen was one of the most popular persons on stage in Estonia, well known all over the country. His base voice of great beauty and his appearance of distinction, his acting-talents and his great musicality, his natural artistic good taste and his mascouline charms fascinated audiences everywhere. Bernhard Hansen was born in Tallinn on March 21, 1891. By the age of eighteen he started his stage career in his home town Tallinn. From 1914 to 1917 he studied singing at the Royal Conservatory of S-t Petersburg and was also a member of the choir of the "Maria" Theatre. After the revolutions of 1917 he returned to Estonia and was ever since 1918 an operatic soloist of the National "Estonia" Theatre. There Benno Hansen recreated the great majority of all the famous base characters of the classical operatic literature, from the "torrero" of "Carmen" to the Mefistopheles of "Faustus". By grammophone-records and by radio, however, the mighty base of Benno Hansen also reached many of those who may-be never found an opportunity to enjoy a live performance of lyrical theatre. On April 26, 1952 Benno Hansen died as a beloved favourite of the audience. But his charmingly soft or majestically exhorting "basso profundo" will still remain, conserved on grammophone-records of great variety.

hirntot records strafprozess (spiegel tv)

Length: 3:57
Rating: 5.00 (1 ratings)
Views: 18
Author: beatblood

Tags: 2008 blokkmonsta dr. faustus hirntot jekyll kaisa nachrichten records schwartz spiegel strafprozess tv uzi

hirntot records strafprozess (spiegel tv)

William Kentridge: Animations 8/ 8.

Length: 4:52
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Author: Biagagli

Tags: Africa animated animation animação arte artes curta-metragem drawings experimental film films projection South theatre

FILM ANIMATION BY WILLIAM KENTRIDGE(b.1955) Animated films offer an emblematic and unprecedented insight into the South Africa of today, from the hearings of the Truth and Reconciliation Commission to traces of apartheid's violence in the landscape around Johannesburg. The images in Kentridge's films depict political realities, expressed in terms of individual human suffering. They are patiently made up of dozens of drawings, often made from the erasure as well as the addition of lines and forms.____________________________William Kentridge nasceu em Johannesburgo, África do Sul, em 1955, e em 1976 graduou-se pela University of the Witwatersrand. Kentridge fez seu primeiro filme animado, Johannesburg, 2nd Greatest City after Paris, em 1989. Ao longo de sua carreira, Kentrigde produziu obras em diversas técnicas, passando por filme, desenho e teatro, com projetos recentes freqüentemente integrando elementos de todas essas mídias e outras mais. Algumas das suas exposições selecionadas são: 1ª Bienal de Johannesburgo (1995); Bienal de Havana; Documenta X, em Kassel (1997); exposições individuais no The Drawing Center, Nova York (1998); The Museum of Contemporary Art, San Diego (1998); Project Room, Museum of Modern Art, Nova York e Serpentine Gallery (1999). Uma exposição retrospectiva dos seus trabalhos foi exibida pelo Palais des Beaux-Arts, em Bruxelas, seguindo para museus em Munique, Barcelona, Londres, Marselha e Graz (1998-1999). Recebeu a Carnegie Medal no Carnegie International (1999-2000) e a Goslar Kaisserring (2003), em reconhecimento à sua contribuição para a arte contemporânea. Seu trabalho foi exibido em Washington, Nova York, Chicago, Houston, Los Angeles e Cidade do Cabo em 2001. No ano seguinte, Confessions of Zeno foi comissionado para a Documenta XI, em Kassel. Em 2004, uma nova retrospectiva do seu trabalho foi exposta em Düsseldorf, Sydney, Montreal, Johannesburgo e Miami. Em novembro de 2004, o Metropolitan Museum em Nova York apresentou uma exposição individual do trabalho de Kentridge a partir da sua coleção. Em 2005 ocorreram: estréia da produção de Die Zauberflöte, de Mozart no Théâtre de La Monnaie, Bruxelas; instalação 7 Fragments for Georges Méliès, Day for Night and Journey to the Moon, Bienal de Veneza; e apresentação de Black Box / Chambre Noire, no Deutsche Bank Guggenheim, em Berlim.FONTEhttp://www.fundacaobienal.art.br/novo/index.php?option=com_pessoa&campo=artista&Itemid=56&task=detalhe&id=67.UN PETIT "ABOUT"..Kentridge et le théâtreWilliam Kentridge s'intéresse également au théâtre, et ce depuis longtemps ; il est venu en France pour l'étudier en 1981-82. Il a mis en scène plusieurs pièces mêlant film d'animation et document historique, acteurs et marionnettes, dans un dialogue incessant entre culture européenne et culture sud-africaine ("Faustus in Africa" d'après Goethe, "Il Ritorno d'Ulisse" adaptation de Monteverdi d'après l'Odyssée d'Homère).Avec "Zeno at 4 pm", présenté au Centre Georges Pompidou du 24 au 28 octobre 2001, il s'inspire du roman "La Conscience de Zeno" (1923) d'Italo Svevo, dans un travail en collaboration avec la Handspring Puppet Company. Le roman présente Zeno s'adressant à son psychanalyste, partagé entre ce qu'il dit et ce qu'il pense : c'est cette division qui a attiré Kentridge, comparable aux divisions qui existent à Johannesburg. Les tourments intérieurs deviennent le reflet de la situation sociale de violence et d'oppression.Dans "Ubu and The Truth Commission", il emprunte à Alfred Jarry son personnage d'Ubu afin de mêler encore politique et littérature : cette pièce explore les rapports de la Commission de Vérité, créée après la fin de l'apartheid, qui visait à recueillir les témoignages des victimes et les confessions des bourreaux, pour se demander comment panser les blessures de l'histoire.William Kentridge revigore certaines catégories artistiques plutôt déconsidérées comme le dessin ou le film d'animation "préhistorique", tout en étant enraciné dans la réalité politique et sociale de son pays, pour mieux souligner l'universalité des expériences humaines vis-à-vis de notions telles que la justice, la moralité, la responsabilité.FONTEhttp://www.fluctuat.net/expos/chroniques/kentridge.htm.